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Week 14: 21st Century Comics

The Perry Bible Fellowship Almanack is a collection of the The Perry Bible Fellowship  comic strip by Nicholas Gurewitch. I found the return of the comic strip in the modern format of a web comic interesting, considering the comic strip's prime was probably nearly 70 years ago. This rethinking of the comic strip, however, differentiates it from the traditional comic strip, and is probably why it is able to succeed in the modern day. Visually, these strips are extremely simple, with a "scribbly" feel to them, and use uncomplicated lines and flat color throughout. Just as with the traditional comic strip, the focus of these strips are more on the punch line than the illustrative quality. Many of the punch lines, though, are visual in nature. There is little to no dialogue in the majority of these strips, instead relying on visual comedy. A lot of the jokes are pretty dark and sometimes non sequitur in nature, which I think mimics the way popular humor has shifted sin...
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Week 12: Women in Comics

Fun Home by Alison Bechdel is an autobiographical contemporary graphic novel focusing on themes of sexuality, gender, abuse, and familial roles. Bechdel has become a major figure in the world of literature as a whole -- specifically in comics, women's representation, and queer representation. Fun Home has garnered critical success and has since even been turned into an award-winning musical. Fun Home tackles a variety of difficult subjects as aforementioned, but manages to do so in a way that balances not taking itself too seriously while also speaking very earnestly. Overall, Alison's representation of her story feels very real. Her relationship to her father is the most prominent focus of the work, and, needless to say, it's a highly complicated relationship. In many ways, they share a lot of similarities -- but Alison struggles between empathy and resentment for him for nearly her whole life, and is practically relieved when she learns of his death. Balance in general ...
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Week 8: Non-fiction Comics

March , by John Lewis, is an autobiographical telling of the American Civil Rights Movement, published 50+ years after the movement itself. For this response I have focused on Book 1, though I'm sure many of the themes and patterns are consistent throughout the series. March  tells the aforementioned historical event from a close lens/personal perspective of congressman John Lewis, shifting back and forth in time to do so. Personal details about John's life, like the chicken story, narrow the focus while at the same time broadening the story to something bigger than just a retelling of history -- it showcases its effect on the daily life of someone like John (similar to the way a comic like Maus also showcases the more personal side of historical conflict). Moving back and forth in time also broadens the scope as well as makes the pacing more interesting. In terms of the comic's style, its cinematic nature is highly effective, from its dramatic compositions to cinemati...
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